For this gorgeous spot I contributed various 3d generalist stuff. Most fun for me was the creation (modeling, lookdev, fur) of the Kiwi character that was used in the Australian version of the spot. I was also responsible for the creation of the fuzzy blanket...
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While staff at Buck in 2014 I worked on some of the many'McDonald's Happy' spots that were in-house at the time. The entire 3d department was involved at various times as we had a seemingly endless succession of spots. I contributed 3d Generalist tasks across...
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While at Buck in 2013 I worked on this fun spot for Australian telecom company 'Telstra' in a 3d generalist role - contributing modeling, animation and lighting / rendering. I modeled and animated all the hard-surfaced assets and their various transformations...
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In early 2012, while at Digital Domain, I worked with the LA based lighting and rendering team on Bryan Singer's 'Jack the Giant Slayer.' All shots lit and rendered with katana / arnold.
In early 2011, while at Digital Domain, I had the pleasure of working on Reel Steel on the lighting and rendering team. It was a fun, well-run show and a great movie to boot! I lit the robot Atom in the sequence where he first...
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From January to December 2010, I worked on Disney's Tron:Legacy while at Digital Domain, Venice. I was part of the maya / vray lighting team and worked primarily on the lightbike, lightjet and final confrontation sequences. I contributed lighting, rendering, lookdev and various one-off animation...
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In 2010 I briefly worked at the now defunct Sway Studios in Culver City. For this GMC Terrain spot I lit and rendered the exterior of the car in all of these shots and did some other various 3d generalist stuff along with scene troubleshooting....
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A Carl Rinsch spot I worked on while at Digital Domain in 2007. Full 3d generalist mode: Modeling. Texturing. Lookdev. Animation. Lighting. Rendering. http://player.vimeo.com/video/27833841?title=0&byline=0&portrait=0
